Cameras flash and the fashion world applauds while eating cheese straws and drinking Lanson champagne. These are the British Fashion Awards – the Oscars of the designer rag trade.
It is all taking place in the tented world of the Duke of York’s barracks. The audience wears black and glitter and off-the-shoulder creations and looks as if it could swap places with the catwalk folk.
Cameras flash and the fashion world applauds while eating cheese straws and drinking Lanson champagne. These are the British Fashion Awards – the Oscars of the designer rag trade.
It is all taking place in the tented world of the Duke of York’s barracks. The audience wears black and glitter and off-the-shoulder creations and looks as if it could swap places with the catwalk folk. And then there are the proper models, the 34-22-34 ones who say they won’t get out of bed for less than $10,000 and earn up to £1,000 a minute, eclipsing their designer bosses. Naomi Campbell, Helena Christiansen, Tatjana Patiz and Linda Evangelista to be precise. This evening they appear swan-like, sometimes carrying poodles. Without them, any show would lack lustre.
At 10.30 the master of ceremonies announces: ‘Ladies and gentlemen, please stand.’ Is this for Naomi, the woman they say expects to be treated like royalty? No . . . it’s Princess Michael of Kent, wearing a glamorous nun’s habit of non-English design.
Vivienne Westwood has won the British Designer of the Year title for the second year running. ‘I want to say thank you to these models, who are worth every penny,’ she says.
The women with pouting lips are seated. Their fees have quadrupled in as many years and they expect to be flown first-class while sales of clothes are falling in these recession-hit times.
Is it true models don’t speak, have no way of projecting their personalities and push lettuce leaves around their plates? And will Helena Christiansen demand a smorgasbord?
A cassoulet of wild mushrooms and asparagus appears. Linda Evangelista, with pimento hair, lights up a Marlboro. And the divine Vivienne Westwood, in a dress printed with Fragonard cherubs, tells me the girls are super. ‘Naomi is charming,’ she says. ‘They’re all professionals, always on time, not prima donnas. They’ve got a marvellous theatrical sense. It costs £5,000 to advertise in a glossy magazine, but with a show you get all this free publicity. When I saw Linda wearing my pink, my heart was beating. To see your clothes on this dream, this dishiest of dishes . . . but if I saw any of them in jeans, I wouldn’t think them that great.’
Princess Michael holds court, later on little clusters of beau monde gather around her. Many of the models weren’t keen on meeting the Royal. ‘Just not interested. They wanted to go back to their hotel,’ said one of their entourage.
Boy George whirls around. His comment? ‘Beauty fades, but talent lives on.’
I meet a supermodel in a Rifat dress. Naomi Campbell, serene and incandescently beautiful, is enjoying a successful evening and a cigarette. Nearby Linda Evangelista looks bored. She smokes cigarettes. When you look like that, you don’t have to do anything. She thaws. ‘I came as a favour for British Vogue and to support British designers. My services were free,’ she tells me. ‘”And what is she wearing? She gives the frostiest of frosty looks. ‘Armani’.
It’s 12.30. People are starting to leave. — And, suddenly, the supermodels have gone. Do they need beauty sleep?