It’s being billed as ‘the dance event of the century’, the first big arena ballet. The largest stage in Europe for leaping to music will be erected. For the Royal Albert Hall is to hold one of the most ambitious dance events when 160 Bolshoi artists pirouette into Kensington in January for a five-week £3 million season.
It’s being billed as ‘the dance event of the century’, the first big arena ballet. The largest stage in Europe for leaping to music will be erected. For the Royal Albert Hall is to hold one of the most ambitious dance events when 160 Bolshoi artists pirouette into Kensington in January for a five-week £3 million season.
Behind it is the chief executive of the Royal Albert Hall, Patrick Deuchar. ‘It’s never been done before,’ he says. ‘But I’m convinced dance can be presented in arena format. As certain as Harvey Goldsmith was that it could be done for opera.’
He’s sitting in his office in the hall, a building that boasts five ghosts and a bedroom on the premises for him. ‘It’s the first ever ballet season hosted in the hall, choreographed specially,’ he resumes, peering through his arena-sized spectacles and pouring tea. He’s been wanting to do dance ever since he started at the hall three years ago. ‘It’ll be very accessible to people who don’t normally consider ballet.’
He’s been married twice, has two children by his first wife and a baby by his current girlfriend. She’s actress Liz Robertson, widow (eighth wife) of composer Alan Jay Lerner.
Deuchar came to the Albert Hall via school at Christ’s Hospital in Sussex, agricultural college, agricultural journalism, and promoting professional tennis tournaments around the world.
‘The Royal Opera House is the only place where ballet can be performed properly. Outrageously, it has to share its space with another art form.’ He doesn’t want to turn the RAH into London’s dance house. But he does want to see annual dance seasons there. Luckily he has another 895 years’ lease on the building.