Theatre Review: The Welkin

Country & Town House | 3 Feb 2020

The opening scene of The Welkin, a world premiere by Lucy Kirkwood, is visually compelling. The audience is presented with what could almost be a bank of enormous television screens inside a broadcasting studio. But inside each frame, a live woman is doing housework: changing nappies, beating carpets. It’s not the only thing that makes this such an aesthetically pleasing play (with design by Bunny Christie). The sober and muted palette — of olive, fawns, creams – gives the feeling of walking into a Vermeer or 18^th century Dutch painting, although the play takes place in East Anglia.

• Culture