Caroline Phillips

Journalism

Caroline Phillips
“Caroline Phillips is a tenacious and skilful writer with a flair for high quality interviewing and a knack for making things work.”

Caroline Phillips

Journalism

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Bentley | 29 Jun 2013

This is the story of the Marquess, the Old Masters and the Bentley. The tale of masterpieces by Van Dyck, Velazquez and Rubens being returned from Russia to Britain after 234 years. The tale of an exclusive 48-hour trip to blaze the trail for the return of these priceless works collected by Britain’s first prime minister, Sir Robert Walpole, and sold scandalously in 1779 to Catherine the Great, Empress of Russia, to adorn the walls of the Hermitage, St Petersburg.


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Confessions of a Hay virgin

The Telegraph | 3 Jun 2008

As Europe’s largest arts festival draws to a close, Caroline Phillips braves the mud and rain to rub shoulders with the clever, the famous and the passionate.

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We’re natural cheerleaders, but we’ve had to learn commando tactics’

YOU Magazine | 20 Apr 2008

With eight children between them, Georgia Coleridge and Karen Doherty have experienced every family peak and pitfall possible. And now they’ve condensed their knowledge in a new book that divides the parenting world into seven distinct types.

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A novel time in Marrakech

Evening Standard | 23 Aug 2006

“My family grew up with a really big secret,” says the broadcaster and author Aminatta Forna. “My father had been killed and nobody told us what had happened.” An aid worker, a Bloomsbury publisher and a classics scholar sit transfixed as this powerful woman explains that her father was hanged. Aminatta is addressing the the Jnane Tamsna Literary Salon in the eponymous hotel in the Paleraie, the oasis outside Marrakech that has become a playground for London’s artistic belle monde.


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Walking tall and centre stage

The Telegraph | 21 May 2004

As an infant, Anna Rose O’Sullivan had pigeon toes – now she is a pirouetting princess. Caroline Phillips reports

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From California to Kensal Road

Independent on Sunday | 27 Mar 2004

For Sarah Stitt, 36, work is therapy. She had a miscarriage in 1994 and coped with her bereavement by painting a series of pregnant women, some with angels above. A year later, she became pregnant. But just five days after the birth, she was back in her studio, “hormonally insane” and painting to prevent herself going mad.

She first “found salvation in art” when she was at St Martins , aged 19. “I drank and drugged excessively,” recalls Stitt. “My rebellious youth ended with a nervous breakdown and painting was the only thing that helped me.” In 1993, she suffered a second breakdown. “I was severely depressed, suicidal and confronting the demons of my past.” So she “paid with paintings” for inpatient treatment in a therapy clinic on the Greek island of Skiathos.  


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